Alibi

The Many Press, 1985, 24 pp. ISBN 0 907326 129.
Number Nine in the Many Press: New Series. Some copies may
be available from The Many Press, http://www.shadoof.net/many/
DESCRIPTION
Ruth's first publication, in 1985. A collector's item: a pamphlet of lyric poems, set mainly in Greece,
chosen by John Welch, editor of the Many Press. Tthey include an elegy
for Alasdair Clayre, a sequence on the wanderings of
Psyche, a poem called "The Earliest Map" which won a prize in the National Poetry Competiition, and "Herodotus in Egypt Remembers Delos",
a poem which foreshadows the travel and wandering themes of her
future work.
Alibi is Latin for "elsewhere".
REVIEWS
"Eleven lean, haunting, elusive poems: with
incandescent images and unpredictable internal rhymes, Ruth
Padel fuses the arcane and the luminous into a single harmony.
A strongly-lived experience of Greece today is the evidently
the bridge uniting the poet with her calling as an academic..Her
studies under E.R.Dodds would have been enough to open any
author up, disturb the contents, and distribute the fragments
more kindly. There is an awesome freedom from illusions and
an enviable dexterity of allusions: to a handful of classical
figures each once, to Seferis without a murmur and, mostly
by implication, and mysteriously, to the texture of light in
the land. The note sounded is preponderantly lyric but a whiplash
force is packed into lines that continue to move and sound
beyond the final letter. – Kevin Andrewes, The Athenian, May 1986
"A witty and mysterious intermingling of the scholarly
and the erotic. For Padel, the ordinariness of the ancient
derives not only from evoocative qualities of Greek landscape
or language but from a sense that everyday experience may be
prefigured by the classical: or that the classical, as her
title Alibi suggests, has a parallel existence in another place.
The most moving poem is an accomplished and intimate memorial
tribute to Alasdair Clayre." - Tim Dooley, Argo
"A rich and dramatic cataloguing of the moment in detail:
classical themes provide the framework for the poem's closed
world in which images grow out of and answer each other. Her
dialogue is not with the past, but with difficult relationships
in and with the present, which she observes through fragments
of myth, lore and history."
- Yann Lovelock, Acumen
Read a Poem from Alibi
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