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MOTHER OF PEARL

 

Come in, signor. Quickly. Let me show you round.

Bend, please! The gate is four foot three.

   We call it The Door of Humility.

You can interpret this in many ways. Some say  

this little entry, such a mighty structure,

 

speaks to us today of hope, of other bad times

our church survived. So - take your breath.

   We’re safe now, friend. Touch the inside wall

    and you have at your fingers' end

the start of the Church Herself. The basilica you see

was built by Emperor Justinian, sixth century AD.

 

But under is church of Constantine, consecrated 325

to Maria Theotokos. We honour Mary-Giving-Birth-

    to-God. Not the Madonna with her Child

    though her lily’s our native flower. You're free, seigneur

You can go to limesinks of the north and find

it blooming now. White hands of leathery velvet. Moony, wild.

 

Stand here, in nave, I’ll lift a hatch. See caramel 

snakeskin glimmer, lower floor? That’s mosaic, cut

   for Constantine in 324. Like carpet, isn't it? Our Church

   is built on that. Mortar shells last week broke many - here -

but these tesserae, wine-dark waves in parallel,

amber geometries of seventeen hundred years, survive.

 

The church above is fortified, like praying heart.

Like castle, this is true. Signor, it had to be.

    Look, sir, what’s happening now. Asylum

    is Safe Place. (Sorry the smell. Step here, round citizens.)

But Justinian knew asylum’s Danger, too.

He built high walls round Bethlehem

 

so church could have wide doors. See the outline, triple-arched?

Welcoming, wouldn’t they be: impressive, those big

     Big doors? They were blocked in, smoodged

     Up in Ottoman years so Turkish giaours

Couldn’t gallop in on war stallions, full fig.

Did you bring water? Medicine? Food?

 

 

Well… come among the rows - a forest, isn’t it? -

of columns. Run your fingers down them. Local

   sandstone, quarried from our hills

   where fruit trees of the Bible are (must be) in bloom.

Pomegranate blossom, scarlet fizz against gloss leaves.

Mulberry, almond, purple cream of Judas trees

 

in flower just this season, when he hung himself. 

See the flicker, when I open door a crack? Or

   brachiating goldfish shimmer

   on Corinth-petal capitals, every pillar? There’d be

a moonrise glisten if we lit the hanging lamps between. 

Have you seen mother-of-pearl on column-heads before?

 

Our town is famous, sir, for mother-of-pearl.

We understand its vulnerability. How to incise curls

   on brittle mucus cloud without it breaking. Other time,

   I take you to my brother's shop, down steep crusader stairs

behind the church. We sell drop-earrings like milk air.

Translucent buttons, carved like roses, carved like birds.   

 

In the Bible, it's a stable where He's born. Here, sir,

is a cave. Take my hand for steps to crypt. Dark,

   narrow, yes, but Greek Orthodox run this part.

   Even now, there'll be a candle. Emperor Hadrian

pronounced cave sacred, 135 AD, to pagan god, Adonis.

Was criminal act for Christians, telling stories of a Birth.

 

Dictator's nightmare, isn’t it, signor - you write it

in your paper - vulnerability? 

      Now here, the Manger! Touch it, that’s OK. Like Helena,

      Roman empress. She crept here, scooped hand

in wall of living rock, found basin made of clay.

Her son built his basilica above.

 

They were late-comers to our faith. The Bible says

it's never too late to remake who you are. To reconsider.

   In next cave Saint Jerome worked Bible into Latin.

   Next cave, here, these too-short tombs commemorate

the Innocents. King Herod told soldiers to exterminate

little sons of Bethlehem. Did you see Schindler's List?


 

That guy on horse above some town, watching men

enter ghetto, bayonet doors, drag children

   out of wardrobes, out from under beds?

   That happened here also, in Manger Square

where you came in.  All the mothers of Bethlehem

one by one, their mouths torn open, screaming for their sons.

 

In this cave, the One that got away was born.

But real stuff’s covered, you can’t see… Helena

    sleeved the clay manger in silver, Justinian

    put marble on these walls, roof, floor.

You like this outer curtain round the manger,

orange-flame brocade? My mother stitched the fringe.

 

The inner curtain, sky-blue silk like cupola

of heaven with racy-lacy angels, came from the Isle of Cos.

  But the spot beneath, my friend (I may say, “friend”?),

   is where He first touched earth. 1717, they tamped

this silver star in floor. Count them - fourteen

flaming points! Not perfect, marble’s stained

 

where cracks round screws have let in rain,  

but looks like waving starfish, no?

     Flat-lit from above by fourteen silver lamps

     to represent communities all over world

who worship here. Our church is sustained

by every heart upon the planet. Even in Africa

 

That's why you've come, sir, isn't it? You know, how

millions dream of wafers, liturgy and Pentecostal feast

    at these two altars, facing across the cave. Altar

    of Manger; and Altar of the Magi - look, turn round -

behind. Yes, wise men from the east stood here

in starry complicated robes. Here where you’re standing now.

 

Have you seen Shepherds' Field outside our town? That’s where

the sky lit up. Christmas cards in West have snow, and deer,

      and holly. I have seen. But it happened here

     with olive trees twisted like toffee in angel glow, our flowers

asleep in ground. Sparrow-wort. Broomrape. Yeruham iris, logo

of Society for Protection of the Nature, in Israel.   

 

In our shop we sell, also, figures carved in olive wood.

Three different kings. A donkey, ox and camel,

          very beautiful. Shepherd boy carrying just-

          born lamb on shoulder, running to tell

about the angel. Our church is part of Bethlehem.

Convents cling like snowdrop bulbs around original.

 

They say it looks, in air, like ivory

carved from a single tusk. Our town must be

   most captured, most destroyed, in history.

   Persians sacked in 614, but left the church alone.

They saw the Wise Men's clothes on Byzantine

mosaic. They recognized the holiness. In 634

 

Arabs captured church, made shrine for Muslim prayer.

In 747 town was dust again - in earthquake - but same

     thing happened, church not harmed.

     In eleventh century, Crusaders in the West,

was feeling against Christians here. Of course there was.

But Al-Hakim didn't danger church because of Muslim shrine.

 

Everything played its part. Before Western invasion,

capture of Jerusalem, Tancredi rode to Bethlehem

     with Baldwin of le Bourg. They took our church

     (we’ve seen a lot of “taking”, sir) in 1099.

Baldwin was crowned on Christmas Day

1101, first “High Crusader King”.

 

In 1187, his “kingdom” came to end. Nothing here lasts long 

that’s from outside. In 1192 Salah al-Din

      allowed priests back to tend the altar.

     Khwarizmian Turks took Bethlehem in 1244

but left basilica alone… Am I boring you? 

Each time, so far, our white small town

 

was crushed to powder-stone, the church survived.

That’s all I meant to say. Everyone’s let it be.

    Yet it looked by 1350 as you see

     it now: a citadel. All the West, all Christendom,

gave money to protect. Philip of Burgundy

sent pinewood over Mediterranean Sea. Edward IV

sent roofing-lead, packed in straw from English fields. 

 

 

Just so America, will send help any day, you’ll see. Is Christian

land. We have two hundred citizens here.  Mothers, children,

     monks; no food, no… You’re leaving, sir? If you think

    my voice is wrong, I'm not myself today. I would have taken you to

the garden, shown you flowers of the Bible that belongs

to everyone. Blue alkanet, white asphodel… This is your story, too.

 

I thought you were a friend.

What happens to the man who has betrayed

      his moral anchor, or its earthly image,

      glances at crafts of holiness then looks away? Bend,

please. The gate is four foot three. Careful, signor. Shooting comes

not just from tanks. Are snipers, too all round our church, on cranes.

 

But maybe you know them, and they know you.

Other time if you come, it may be all you see is tinsel

      among rubble, mother-of-pearl

      dust, heaven rolled back like bolt of mourning cloth

on a market stall. And under, all the darnels of the Bible.

Spiny zilla, holy thistle, Syrian acanthus, grey nightshade, Christ Thorn.

                                    Church of the Nativity, Bethlehem, Easter 2002